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SUSPENSE/THRILLERS
Set in Italy

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Set in Florence
(Toscana
)
 ©1989
 English Translation ©2003

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BIO

LAURA GIMALDI was born in Rufina in the Florence area. She is a journalist, a translator and the author of novels and short stories. In 1989 she founded the publishing house Inferno Giallo. She is a master in depicting real events as great thrillers full of suspense and her fiction is stronger than reality and casts a light on the darker side of things. The reader feels enraptured by the rich plot, coupes de théâtre and insights. Her novels are published in Spain, Portugal France, Germany, Cechoslovakia, Greece, Russia and Poland. Her stories have been included in local and international anthologies.

Laura Grimaldi

Suspicion (Il sospetto)

(Translated from the Italian by Robin Pickering-Iazzi)

JACKET NOTES:  A literary thriller from Italy's queen of crime.

In the shadow of the "Monster of Florence," a serial murderer who has terrorized Italy for seventeen years, Laura Grimaldi sets her tense psychological thriller Suspicion—a noir mystery of a city transformed by fear, and of friendships and family ties twisted by uncertainty and dark speculation. Grimaldi, whose hardboiled mysteries of the 1950s earned her the title "Italy's queen of crime," turns here to the deeper, more elusive and disturbing questions that haunt human affairs.

For years Matilde, the widow of a prominent Florentine doctor, has lived alone with her eccentric middle-aged son, Enea. When the police pay a call, the balance between mother and son is shifted just subtly enough to make Matilde prey to suspicions and doubts that grow ever more corrosive, ever harder to conceal and more dangerous to reveal. In the literary tradition of such mystery writers as Patricia Highsmith and Ruth Rendell, Grimaldi creates an atmosphere charged with suspense as the daily lives and routines of her characters, infected with suspicion, begin to rearrange themselves around a few frightening facts and infinite monstrous possibilities.

Matilde's efforts to decipher Enea's secretive movements and occupations appear perfectly sensible and defensible through Grimaldi's deft shifts between mother and son—and another, chillingly detached perspective on the gruesome murders. Grimaldi's readers will find themselves as subject to misinterpretation and doubt, to sympathies and suspicions as her Florentine characters, and spellbound until the book's final page.
(©Terrace Books)